Effect of auditory rhythmic cuing on gait kinematic parameters of stroke patients

被引:74
作者
Prassas, S
Thaut, M
McIntosh, G
Rice, R
机构
[1] COLORADO STATE UNIV,CTR BIOMED RES,FT COLLINS,CO 80523
[2] POUDRE VALLEY HOSP,FT COLLINS,CO 80524
关键词
auditory rhythm; gait; kinematics; stroke;
D O I
10.1016/S0966-6362(97)00010-6
中图分类号
Q189 [神经科学];
学科分类号
071006 ;
摘要
The emotional and psychological benefits of musical experiences for human behavior are well documented by research in music therapy and psychology of music. It is also documented that music and rhythm have been utilized universally to accompany motor activity. The effect, however, of music and rhythm on motor activity including mechanics of hemiparetic gait has not been investigated. The purpose of this study was to investigate the effect of auditory rhythmic cuing on gait kinematic parameters of stroke patients. Eight subjects were studied over three trials. For each trial, a baseline walk without rhythm and a walk with rhythm as pacemaker, matched to the step cadence of the baseline walk, was videotaped with two 60 Hz videocameras. Three dimensional coordinates of ten body points were calculated by combining the images of the two cameras utilizing the direct linear transformation (DLT) method. The raw position data was digitally smoothed before being submitted to further analysis. Repeated measures ANOVA and paired t-tests revealed positive modifications in gait patterns due to musical rhythmic cues: specifically: (1) the stride lengths and hip joint range of motion (ROM) of the affected/non-affected sides became more symmetrical; and (2) center of mass (Chi) vertical displacement decreased. These results support the presence of an entrainment effect of auditory rhythmic cuing on hemiparetic gait. (C) 1997 Elsevier Science B.V.
引用
收藏
页码:218 / 223
页数:6
相关论文
共 20 条
  • [1] Abdel-Aziz Y.I., 1971, P S CLOS RANG PHOT, V18, P103, DOI [10.14358/PERS.81.2.103, DOI 10.1080/10671188.1967.10616517, DOI 10.14358/PERS.81.2.103]
  • [2] BROWN SH, 1993, P SOC NEUROSCI, V227, P2
  • [3] Dempster WT, 1955, SPACE REQUIREMENTS S, P55
  • [4] GJERDINGEN RO, 1993, MUSIC PERCEPT, V10, P503
  • [5] Hay J.G., 1993, BIOMECHANICS SPORTS, V4th
  • [6] KUGLER PN, 1987, INFORMATION NATURAL
  • [7] MCINTOSH GC, 1994, ANN NEUROL, V36, P316
  • [8] Merriam Alan P., 1964, The anthropology of music
  • [9] PALTSEV YI, 1967, BIOPHYS-USSR, V12, P1219
  • [10] Richards C. L., 1992, POSTURE GAIT CONTROL