PERRONE-MOISES AND WRITING: FIDELITY AND NEOLOGISM

被引：0

作者：

Ferraz, Paulo Procopio ^{[1
]}

机构：

[1] Univ Sao Paulo, Literatura Francesa, Sao Paulo, SP, Brazil

来源：

ALEA-ESTUDOS NEOLATINOS | 2020年 / 22卷 / 03期

关键词：

Writing; neologism; paleologism;

D O I：

10.1590/1517-106X/202022393105

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

The relationship between Leyla Perrone-Moises and Roland Barthes involves a subject that frequently appears in her texts: fidelity. This subject was also present in two activities that were practiced by Leyla Perrone-Moises: literary criticism and translation. It is also connected to two important themes in the texts written by Barthes: writing and neologism. Besides being a neologism itself, writing is, by definition, something that produces new meanings. To translate the French word, ecriture, Perrone-Moises uses a distinction between "escritura" (the litterary text) and "escrita" (the instrumental text similar to the text produced by intellectuals). This distinction is the product of a special kind of neologism, called "paleologism", which is located precisely in the frontier that separates fidelity from infidelity.

引用

页码：93 / 105

页数：13

共 19 条

[1]

[Anonymous], 2002, OEUVRES COMPLETES

[2]

Barthes R., 2004, O grau zero da escrita

[3]

Barthes Roland, 2002, OEUVRES COMPLETES, V3, p[908, 155]

[4]

Barthes Roland, 2002, OEuvres completes, VIII, P527

[5]

BARTHES Roland, 2002, OEUVRES COMPLETES, VII, P573

[6]

BARTHES Roland, 2002, OEUVRES COMPLETES, VIV, P808

[7]

HOUAISS Antonio., 2007, Dicionario Houaiss da Lingua Portuguesa

[8]

Oustinoff Michael, 2018, La traduction

[9]

PERRONE-MOISES Leyla, 2012, COM ROLAND BARTHES, P69

[10]

PERRONE-MOISES Leyla, 2012, COM ROLAND BARTHES, P75

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