Global Sensory Qualities and Aesthetic Experience in Music

被引:25
作者
Brattico, Pauli
Brattico, Elvira [1 ]
Vuust, Peter
机构
[1] Aarhus Univ, Dept Clin Med, Ctr Mus Brain, Aarhus, Denmark
基金
新加坡国家研究基金会;
关键词
music aesthetics; neuroaesthetics; musical features; naturalistic paradigm; visual aesthetics; BRAIN RESPONSES; FRACTAL DIMENSION; BEAUTY; PREFERENCE; NEUROAESTHETICS; PERCEPTION; EXPOSURE; CHILLS; NEUROSCIENCE; RECOGNITION;
D O I
10.3389/fnins.2017.00159
中图分类号
Q189 [神经科学];
学科分类号
071006 ;
摘要
A well-known tradition in the study of visual aesthetics holds that the experience of visual beauty is grounded in global computational or statistical properties of the stimulus, for example, scale-invariant Fourier spectrum or self-similarity. Some approaches rely on neural mechanisms, such as efficient computation, processing fluency, or the responsiveness of the cells in the primary visual cortex. These proposals are united by the fact that the contributing factors are hypothesized to be global (i.e., they concern the percept as a whole), formal or non-conceptual (i.e., they concern form instead of content), computational and/or statistical, and based on relatively low-level sensory properties. Here we consider that the study of aesthetic responses to music could benefit from the same approach. Thus, along with local features such as pitch, tuning, consonance/dissonance, harmony, timbre, or beat, also global sonic properties could be viewed as contributing toward creating an aesthetic musical experience. Several such properties are discussed and their neural implementation is reviewed in the light of recent advances in neuroaesthetics.
引用
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页数:13
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