Boon or bust? Heidegger, disability aesthetics and the thalidomide memorial

Disability Studies has begun to interrogate the aesthetics of disability, both in terms of artwork and sensuous apprehension more generally. The present paper is a contribution to this burgeoning literature. Here I seek to demonstrate what the aesthetics of Martin Heidegger offer to that project. I do so in three stages. I begin by reviewing some relevant disability studies literature, highlighting some general themes in Disability Studies' recent engagement with 'the aesthetic', widely defined. Next, I turn to the phenomenology of Martin Heidegger, to add some further philosophical depth to this project. In third and final section, I apply Heidegger's aesthetics to the recently unveiled thalidomide memorial, to demonstrate the empirical worth of his analysis of artwork. I conclude with suggestions for future Disability Studies.