Gebaude auf Abbruch? The digital archive of Kant's Opus postumum

Over two hundred years after Immanuel Kant's death, the first full, critical, and digital edition of his last manuscript is currently being completed by the Berlin-Brandenburgische Akademie der Wissenschaften. This edition stands in institutional continuity with Wilhelm Dilthey's monumental Akademieausgabe of Kant's writings that was grounded in Dilthey's lastingly influential concept of the national, literary-philosophical archive. The new edition showcases Kant's dynamic writing process as a matter of investigation in its own right. As I argue here, it brings into view the constitutive role of the archive for both texts and interpretative practices. A historical perspective that links the legacy of the Akademieausgabe with the digital edition of the Opus postumum highlights the changing role of the archive in emphasising or de-emphasising the manuscript's resistance to certain appropriations and stylisations of Kant as a thinker.