Enhancing aesthetic appreciation by priming canvases with actions that match the artist's painting style

被引：44

作者：

Ticini, Luca F. ^{[1
,2
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,6
]}

Rachman, Laura ^{[1
,2
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]}

Pelletier, Jerome ^{[5
]}

Dubal, Stephanie ^{[1
,2
,3
,4
]}

机构：

[1] Inst Cerveau & Moelle Epiniere, ICM, Social & Affect Neurosci SAN Lab, Paris, France

[2] Sorbonne Univ, Univ Paris 06, UMR S 1127, Paris, France

[3] INSERM, U1127, Paris, France

[4] CNRS, UMR 7225, Paris, France

[5] CNRS EHESS ENS UMR 8129, Inst Jean Nicod, Paris, France

[6] Italian Soc Neuroaesthet Semir Zeki, Trieste, Italy

来源：

FRONTIERS IN HUMAN NEUROSCIENCE | 2014年 / 8卷

关键词：

action; priming; simulation; aesthetic appreciation; art; mirror neurons; BEAUTY; SYSTEM; EXPERIENCE; PERCEPTION; ACTIVATION; JUDGMENT; EMOTION; CORTEX;

D O I：

10.3389/fnhum.2014.00391

中图分类号：

Q189 [神经科学];

学科分类号：

071006 ;

摘要：

The creation of an artwork requires motor activity. To what extent is art appreciation divorced from that activity and to what extent is it linked to it? That is the question which we set out to answer. We presented participants with pointillist-style paintings featuring discernible brushstrokes and asked them to rate their liking of each canvas when it was preceded by images priming a motor act either compatible or incompatible with the simulation of the artist's movements. We show that action priming, when congruent with the artist's painting style, enhanced aesthetic preference. These results support the hypothesis that involuntary covert painting simulation contributes to aesthetic appreciation during passive observation of artwork.

引用

页数：6

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