Open-Air Cinemas of Istanbul From the 1950s to Today

被引:2
作者
Kayhan Muldur, Sezen [1 ]
机构
[1] Koc Univ, Design Technol & Soc, Istanbul, Turkey
关键词
open-air cinema; Istanbul; nostalgia; film spectatorship; urban reconstruction;
D O I
10.1177/1206331218799615
中图分类号
G [文化、科学、教育、体育]; C [社会科学总论];
学科分类号
03 ; 0303 ; 04 ;
摘要
This article explores open-air cinema spectatorship in Istanbul from the 1950s to the contemporary era. Since the 1990s, literary authors, actors, and film critics have been depicting open-air cinemas in their memoirs with a certain sense of nostalgia. This nostalgic sentiment is largely driven by multiplex cinemas, which have changed the spectatorship experience in Istanbul. Besides the post-1980s urban gentrification that led to the building of multiplexes, Istanbul's cinema-going urbanites encountered a similar, yet less frequently discussed, experience of urban gentrification around the 1950s. This research first examines how urban gentrification projects caused the disappearance of open-air cinemas after the 1950s. It then explores how today's nostalgic conception of open-air cinemas was formed, and how it is commodified in the new luxury open-air cinemas in hotels, art centers, and shopping malls.
引用
收藏
页码:128 / 143
页数:16
相关论文
共 46 条
[1]  
AKBAL SUALP Z. T, 2004, ZAMAN MEKAN KURAM VE ZAMAN MEKAN KURAM VE
[2]  
Akser Murat, 2014, WHOSE CITY IS CULTUR, P35
[3]  
[Anonymous], 2013, CARREFOUR CERENKOY A
[4]  
[Anonymous], Babel and Babylon for one notable attempt to uncover this
[5]  
[Anonymous], 1983, The City and the Grassroots: a Cross-Cultural Theory of Urban Social Movements
[6]  
Arslan S., 2011, Cinema in Turkey: A new critical history
[7]  
Ayca E., 1992, Kurgu, V11, P117
[8]  
Aymaz G., 2004, KENTTE SINEMA SINEMA, P265
[9]  
Bali S., 2016, BEN YENI EMEKI GEZDI
[10]  
Boym S., 2002, The Future ofNostalgia