Cultural globalization and the dominance of the American film industry: cultural policies, national film industries, and transnational film

被引:86
作者
Crane, Diana [1 ]
机构
[1] Univ Penn, Dept Sociol, Philadelphia, PA 19104 USA
关键词
American film industry; global film market; cultural policy; transnational film; BOX-OFFICE; HOLLYWOOD; CINEMA; PRODUCTS; POLITICS; ECONOMY; MOVIES; MARKET;
D O I
10.1080/10286632.2013.832233
中图分类号
G [文化、科学、教育、体育]; C [社会科学总论];
学科分类号
03 ; 0303 ; 04 ;
摘要
The global film market is a strategic site for examining the global influence of American media culture. Using a database compiled by the European Audiovisual Observatory, I show that the global film market consists of 34 countries that produce over 25 films per year. Thirty-two countries produce less than 26 films. The countries that produce over 25 films per year were categorized as Super Producers (four countries), Major Producers (seven countries), Medium Producers (11 countries), and Minor Producers (12 countries). Lists of top 10 films in these countries show that US films dominate, followed by local films. A discussion of national cultural policies shows that film policy contributes to the success of national film industries but does not enable them to challenge US dominance. Hollywood's need for global box office receipts has led to changes in the content of Hollywood film toward deculturized, transnational films, a trend that is also evident in other countries.
引用
收藏
页码:365 / 382
页数:18
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