British satire, everyday politics: Chris Morris, Armando Iannucci and Charlie Brooker

This article develops a critical engagement with the politics of British satire. After first engaging the mainstream critique of satirethat it promotes cynicism and apathy by portraying politicians in stereotypically corrupt termswe develop a performative approach to comedy as an everyday vernacular of political life. Beyond a focus on impact', we suggest that satire can be read as an everyday form of political reflection that performs within a social context. This argument yields an image of Morris, Iannucci and Brooker as important critics of contemporary British politics, a point which we explore through their interventions on media form, political tragedy and political agency.