NEW PSYCHOLOGICAL AND PEDAGOGICAL STRATEGIES IN CONCERT MUSICIAN EDUCATION

被引：0

作者：

Bazanova, Olga M. ^{[1
,2
,3
]}

Petrenko, Tatiana, I ^{[4
,5
]}

机构：

[1] Moscow City Pedag Univ, Moscow, Russia

[2] Novosibirsk State Univ, Novosibirsk, Russia

[3] Russian Acad Sci, Affect Cognit & Translat Neurosci Lab, State Sci Res Inst Physiol & Basic Med, Siberian Branch, Moscow, Russia

[4] Schnittke Moscow State Inst Mus, Dept Special Piano, Moscow, Russia

[5] PI Tchaikovsky Moscow State Conservatory, Cent Mus Sch, Subject Comm Gen Piano, Moscow, Russia

来源：

ISKUSSTVOVEDENIE V KONTEKSTE DRUGIKH NAUK V ROSSII I ZA RUBEZHOM: PARALLELI I VZAIMODEISTVIYA | 2017年

关键词：

individual psychophysiological characteristics of trainability; alpha-activity of electroencephalography (EEG); electromyography (EMG) of forehead muscles; interrelationship; efficiency of music and performing move; feedback; neuro-biological control;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

The article refers to the research aimed to study the system of individual psychophysiological characteristics of trainability (in case of mastering music and performing move). To compare the impact of traditional learning of pianists and training based on a use of computer technology Neurofeedback, the psychometric and electrophysiological features of neuronal and muscle tension activation of 42 students were investigated. It is shown that in two-month Neurofeedback training there was improvement in musical performing, increase in indicators of self-actualization, decrease of anxiety, of redundant neuronal (EEG alpha power) and muscular (EMG) activation. It has been revealed that training efficiency depended on the baseline individual alpha-activity of electroencephalography (EEG) and the pedagogical instructions. The authors have concluded that Neurofeedback training leads to development of optimal behavioural strategy both in music performing and other learning skills, well-being.

引用

页码：122 / 131

页数：10

共 9 条

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[3] Bernshtejn N.A., 1966, OCHERKI FIZIOLOGII D
[4] Kogan G. M, 2004, RABOTA PIANISTA
[5] Mazel V. H., 2005, MUZYKANT I EGO RUKI
[6] Nejgauz G. G, 1988, ISKUSSTVE FORTEPIANN
[7] Safonov V. I, 1915, NOVAYA FORMULA MYSLI
[8] Savshinskij S. I, 1964, RABOTA PIANISTA MUZY
[9] Teplov B. M, 1947, PSIHOLOGIYA MUSICAL

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