Art and science: how musical training shapes the brain

被引:75
作者
Barrett, Karen Chan [1 ,2 ,3 ]
Ashley, Richard [2 ,3 ,4 ]
Strait, Dana L. [1 ,5 ]
Kraus, Nina [1 ,4 ,5 ,6 ,7 ,8 ]
机构
[1] Northwestern Univ, Dept Commun Sci & Disorders, Auditory Neurosci Lab, Evanston, IL 60208 USA
[2] Northwestern Univ, Bienen Sch Mus, Program Mus Theory & Cognit, Evanston, IL 60208 USA
[3] Northwestern Univ, Bienen Sch Mus, Program Mus Theory & Cognit, Mus Cognit Lab, Evanston, IL 60208 USA
[4] Northwestern Univ, Program Cognit Sci, Evanston, IL 60208 USA
[5] Northwestern Univ, Inst Neurosci, Chicago, IL 60611 USA
[6] Northwestern Univ, Dept Commun Sci & Disorders, Evanston, IL 60208 USA
[7] Northwestern Univ, Dept Neurobiol & Physiol, Evanston, IL 60208 USA
[8] Northwestern Univ, Dept Otolaryngol, Evanston, IL 60208 USA
基金
美国国家科学基金会;
关键词
neural plasticity; musical training; talent; cognition; brain; WHITE-MATTER; CORTICAL PLASTICITY; AUDITORY-CORTEX; COCHLEAR IMPLANTS; ABSOLUTE PITCH; MUSICIANS; EXPERIENCE; SPEECH; MEMORY; PERFORMANCE;
D O I
10.3389/fpsyg.2013.00713
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
What makes a musician? In this review, we discuss innate and experience-dependent factors that mold the musician brain in addition to presenting new data in children that indicate that some neural enhancements in musicians unfold with continued training over development. We begin by addressing effects of training on musical expertise, presenting neural, perceptual, and cognitive evidence to support the claim that musicians are shaped by their musical training regimes. For example, many musician-advantages in the neural encoding of sound, auditory perception, and auditory-cognitive skills correlate with their extent of musical training, are not observed in young children just initiating musical training, and differ based on the type of training pursued. Even amidst innate characteristics that contribute to the biological building blocks that make up the musician, musicians demonstrate further training-related enhancements through extensive education and practice. We conclude by reviewing evidence from neurobiological and epigenetic approaches to frame biological markers of musicianship in the context of interactions between genetic and experience-related factors.
引用
收藏
页数:13
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