INCENDIES - AN ACCENTED CINEMA

被引：1

作者：

Ilea, Laura T. ^{[1
]}

机构：

[1] Babes Bolyai Univ, Cluj Napoca, Romania

来源：

CAIETELE ECHINOX | 2019年 / 36卷

关键词：

Hamid Naficy; Accented Cinema; Denis Villeneuve; Incendies; Wajdi Mouawad; Double Consciousness; Gloria Anzaldua; Joel Des Rosiers; Metaspora;

D O I：

10.24193/cechinox.2019.36.23

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

The study An Accented Cinema. Exilic and Diasporic Filmmaking by Hamid Naficy states that there are three types of accented cinema: exilic, diasporic and ethnic cinema. While binarism and subtraction characterize exilic films, diasporic films are rather printed by multiplicity and addition. Compared to the first two categories, the third - that of postcolonial ethnic directors - is a category fundamentally imbued with the politics of identity. Starting from these presuppositions, my article ads another category to this triple articulation, namely metasporic logic, as it is developed by Joel Des Rosiers in his book, Metaspora. Essai sur les patries intimes, which is applied to the analysis of the film Incendies by Denis Villeneuve (2010).

引用

页码：287 / 294

页数：8