The Many Faces of Internationalization in Japanese Anime

被引:25
作者
Lu, Amy Shirong [1 ]
机构
[1] Univ N Carolina, Sch Journalism & Mass Commun, Chapel Hill, NC 27599 USA
来源
ANIMATION-AN INTERDISCIPLINARY JOURNAL | 2008年 / 3卷 / 02期
关键词
anime; cultural politics; de-Japanization; internationalization; Japanese animation; Occidentalism; Orientalism; self-Orientalization;
D O I
10.1177/1746847708091893
中图分类号
J9 [电影、电视艺术]; I235 [电影、电视、广播剧];
学科分类号
摘要
This article explores the internationalization of Japanese anime (animation) in an effort to help explain the cultural politics behind this popular cultural product. The internationalization of anime includes the incorporation of de-Japanized elements into anime's background, context, character design, and narrative organization. A theoretical framework for understanding anime's internationalization is developed, proposing that there are at least three kinds of cultural politics working behind anime's international success: one, de-politicized internationalization, which primarily serves as a commercial tactic to attract international audiences; two, Occidentalized internationalization, which satiates a nationalistic sentiment; three, self-Orientalized internationalization, which reveals a cultural desire to establish Japan as an ersatz Western country in Asia.
引用
收藏
页码:169 / 187
页数:19
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