Prosodic Structure as a Parallel to Musical Structure

被引：35

作者：

Heffner, Christopher C. ^{[1
,2
,3
]}

Slevc, L. Robert ^{[1
,4
]}

机构：

[1] Univ Maryland, Program Neurosci & Cognit Sci, College Pk, MD 20742 USA

[2] Univ Maryland, Dept Linguist, College Pk, MD 20742 USA

[3] Univ Maryland, Dept Hearing & Speech Sci, College Pk, MD 20742 USA

[4] Univ Maryland, Dept Psychol, College Pk, MD 20742 USA

来源：

FRONTIERS IN PSYCHOLOGY | 2015年 / 6卷

基金：

美国国家科学基金会;

关键词：

musical structure; prosody; prosodic structure; music perception; speech perception; INFANT-DIRECTED SPEECH; EMOTIONAL PROSODY; INDIVIDUAL-DIFFERENCES; PROCESSING STRUCTURE; PARKINSONS-DISEASE; WORD SEGMENTATION; BRAIN POTENTIALS; FOREIGN-LANGUAGE; VOCAL EXPRESSION; TRITONE PARADOX;

D O I：

10.3389/fpsyg.2015.01962

中图分类号：

B84 [心理学];

学科分类号：

04 ; 0402 ;

摘要：

What structural properties do language and music share? Although early speculation identified a wide variety of possibilities, the literature has largely focused on the parallels between musical structure and syntactic structure. Here, we argue that parallels between musical structure and prosodic structure deserve more attention. We review the evidence for a link between musical and prosodic structure and find it to be strong. In fact, certain elements of prosodic structure may provide a parsimonious comparison with musical structure without sacrificing empirical findings related to the parallels between language and music. We then develop several predictions related to such a hypothesis.

引用

页数：14

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