Brno became a centre of musical culture in the late 19th century thanks to versatile activities of Leos Janacek. His students, however, did not value his activities, they did not understand their teacher. The situation changed after World War II. Brno became the centre at that time of a still living and rich folklore that inspired some composers (Istvan, Berg) to significant experiments. Brno also formed many important multidisciplinary artistic associations (the Group Q). The composers in Brno tried to acknowledge and use the contemporary compositional techniques, especially dodecaphony and New Music. They were mostly the members of the Group A. This disappeared in the 1970s and the attention focused on its former member Miloslav Istvan. Istvan followed Janacek and Webern in his compositional method called "the montage of isolated sound elements in music". He attracted like-minded colleagues and students and established a group called Camerata Brno at the end of the 1970s which was known as "the Brno Compositional School" in professional circles
