BIG S SMALL 3D: WHAT MAKES STEREOSCOPIC VIDEO SO COMPELLING?

This paper addresses a long standing question as to whether stereoscopic cinema is an art form in its own right or just an extension of traditional 2D cinema. After showing in deed that it is its own art form, the aspects of what makes stereoscopic cinema so compelling will be explored. This paper will then go on to show that stereoscopic cinema brings far more to the audience than mere depth. A new paradigm for stereoscopy will be shown and from this a new approach to making stereoscopic films. This paradigm will show how neurological/cognitive, optical workload is the primary causation for the stereoscopic effect not binocular vision. Rather than being the instrument to tear down the existing theories and practices of stereoscopy, this paper intends to expand on what has come before and lead stereoscopy to its next stage.