H. G. Wells and the Wartime Imagination

被引:2
作者
Cole, Sarah [1 ]
机构
[1] Columbia Univ, English & Comparat Literature, New York, NY 10027 USA
关键词
H; G; Wells; First World War; civilian; Mr. Britling Sees it Through; wartime; total war; pamphlets;
D O I
10.3366/mod.2017.0154
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
No figure is more powerful as a symbol of mass warfare in the twentieth century than the civilian, whose vulnerability on a world scale challenges the moral life of our societies. The story of the civilian has recently become the focus of scholarship on the First World War. This paper discusses some of the wartime writings of H. G. Wells - arguably the most influential and widely-read civilian writer during and immediately after the war, who has been completely overlooked by literary critics and war scholars - to argue that in several wartime works with huge readerships, Wells took up the position of civilian in new and activist terms, first, as a matter of imagination, and second, as a matter of responsibility. Wells's textual efforts intersect in intriguing ways with more familiar war writings, but also depart quite radically from them, as he boldly assigns the role of world pacifist to those at home - out of combat, but sharing with soldiers a sense of rage and frustration, and a belief that such violence must not become the world's norm.
引用
收藏
页码:16 / 35
页数:20
相关论文
共 29 条
[1]  
[Anonymous], 2014, Writing Disenchantment: British First World War Prose 1914-30
[2]  
[Anonymous], 1977, PHOTOGRAPHY
[3]  
Beckett Ian F. W., 1989, WAR PEACE SOCIAL CHA, P26
[4]  
Butler J., 2004, PRECARIOUS LIFE
[5]  
Cohen Debra Rae., 2012, The Space Between, V8, P85
[6]  
Cole Sarah., 2012, At the Violet Hour: Modernism and Violence in England and Ireland
[7]  
Crossley Robert, 1991, CRITICAL ESSAYS HG W, P171
[8]  
Deer Patrick., 2009, CULTURE CAMOUFLAGE W
[9]  
Dudziak MaryL., 2012, WarTime: An Idea, Its History, Its Consequences
[10]  
Favret MA, 2010, WAR AT A DISTANCE: ROMANTICISM AND THE MAKING OF MODERN WARTIME, P1