PRETENTIOUS SCANSION, FASCIST AESTHETICS, AND A FATHER-COMPLEX FOR JOYCE: E. E. CUMMINGS ON SAPPHICS AND EZRA POUND

被引：0

作者：

Rosenblitt, J. Alison ^{[1
]}

机构：

[1] New Coll, Oxford, England

来源：

CAMBRIDGE CLASSICAL JOURNAL | 2013年 / 59卷

关键词：

D O I：

10.1017/S175027051300002X

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

This paper considers a Sapphic poem written by E. E. Cummings: 'the phonograph may(if it likes)be prophe', which takes aim at Ezra Pound's relationship to the classical tradition and in particular at Pound's classicising use of quantitative metre. Cummings' humourous but biting poem comments on Pound's literary ideas in the light of his fascist politics. Cummings' poem constructs a layered discussion about ownership of the Classical tradition and about the privileging of the Classical aesthetic versus the English ear in English-language poetry. Thus Cummings offers both a critique of Pound and, implicitly, a literary argument concerning the role of the Classics in English verse.

引用

页码：178 / 198

页数：21

共 48 条

[11] Carr Helen., 2009, VERSE REVOLUTIONARIE
[12] COLLINS MJ, 1976, CONCERNING POETRY, V9, P5
[13] Cummings E. E., 1972, SELECTED LETT EE CUM
[14] Cummings E. E., 1967, 6 NONLECTURES
[15] Cummings E. E., 1994, EE CUMMINGS COMPLETE
[16] Cummings E.E., 1983, Etcetera: The Unpublished Poems of E. E. Cummings
[17] Cummings E. E., 2013, THEATRE EE CUMMINGS
[18] D'Ooge B. L., 1911, LATIN BEGINNERS
[19] Doob Leonard.W., 1978, Radio Speeches of World War II
[20] Ellmann Richard., 1982, J JOYCE

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