Theatre, Masculinity, and Class in the First World War

被引:0
作者
Bar-Yosef, Eitan [1 ]
机构
[1] Ben Gurion Univ Negev, Dept Foreign Literatures & Linguist, IL-84105 Beer Sheva, Israel
来源
TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES | 2014年 / 58卷 / 02期
关键词
D O I
10.1162/DRAM_a_00346
中图分类号
TU242.2 [影院、剧院、音乐厅];
学科分类号
摘要
Having fought in Palestine in WWI, the British actor Vivian Gilbert went on to narrate his wartime experiencesfirst in a series of lectures, then in a best-selling book. Rooted in his thespian career, Gilbert's self-fashioning as an officer/crusader builds on an array of performanceson and off the stagewhich reflect gender and class anxieties, typical of WWI British culture.
引用
收藏
页码:51 / 71
页数:21
相关论文
共 54 条
  • [1] Adams Michael C.C., 1990, GREAT ADVENTURE MALE
  • [2] [Anonymous], 1915, JANESVILLE DAILY GAZ, P10
  • [3] [Anonymous], 1913, MIDDLETON DAILY TIEM, P4
  • [4] [Anonymous], 1908, OBSERVER
  • [5] [Anonymous], 1959, STANDARD EDITION COM
  • [6] [Anonymous], 1917, PUNCH
  • [7] [Anonymous], 1925, SUNDAY MORNING STAR
  • [8] [Anonymous], 1927, NY TIMES
  • [9] [Anonymous], 1918, NY TIMES
  • [10] [Anonymous], 1923, The New York Times