The Influence of Islam on the Musical Culture of the Volga Bulgaria of the Domngol Period

被引：0

作者：

Fakhrutdinov, Rail Ravilovich ^{[1
]}

Imasheva, Marina Maratovna ^{[2
]}

Mukhametzyanova, Flera Gabdulbarovna ^{[3
]}

Nurgayanova, Nelya Khabibullovna ^{[4
,5
]}

Borisovna, Halimova Kadriya ^{[6
]}

机构：

[1] RAS, Inst Gen Hist, Inst Int Relat, Dept Hist & Civ Educ, Kazan, Volga Region, Russia

[2] Kazan Volga Fed Univ, Inst Int Relat, Dept Hist & Social Studies, Kazan, Russia

[3] Kazan Volga Reg Fed Univ, Inst Int Relat, Dept Hist & Civ Educ, Kazan, Russia

[4] Kazan Fed Univ, Inst Philol & Intercultural Commun, Dept Tatar & Cultural Studies, Kazan, Russia

[5] Tatarstan Acad Sci, G Ibragimov Inst Language Literature & Arts, Kazan, Russia

[6] Hist Arts Turk Muslim World, Kazan, Russia

来源：

REVISTA SAN GREGORIO | 2020年 / 41期

关键词：

music; Tatar people; early feudal statehood; Islam; musical culture; Volga Bulgaria; pre-Mongol period; intercultural communication;

D O I：

10.36097/rsan.v1i41.1486

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

The article presents current issues of the influence of early :feudal statehood and Islam on the development of the musical culture of the Volga Bulgaria of the pre-Mongol period. The Tatar people have a long history, writing, literature, and distinctive musical culture. The musical culture of the Tatar people is a unique form of artistic thinking of the people. It reflected historical destinies, living and working conditions, dreams and innermost thoughts of the Tatar people. The music of the Tatar people has changed over various historical periods. She absorbed the layers of new eras. At the same time, the music of the Tatar people has preserved traditions, despite modifications or the creation of a new one. Tatar original musical culture as a stylistic feature had a significant impact on the development of the spiritual culture of a number of peoples of the Middle Volga and Ural regions. Without knowledge of the spiritual culture of the Kazan Tatars and their ancestors, it is impossible to fully comprehend and appreciate the cultural achievements of the modern peoples of the Volga-Ural region. The richness of the spiritual activity of people is closely connected with historical events and follows from them. The study of the musical culture of the Tatar people forms ideas about the historical fate of the peoples of the Volga and Ural regions. The reliability of the results is based on a qualitative and quantitative analysis of historical and modem sources about the Tatar musical culture. The study contributes to understanding the scientific foundations of the impact of early feudal statehood and Islam on the development of the musical culture of the Volga Bulgaria of the pre-Mongol period and determines the applied value of its implementation in the development of musical culture in the Republic of Tatarstan. The article is of interest to masters, graduate students and practitioners in the study of music culture of the peoples of the region.

引用

页码：58 / 63

页数：6

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