The Cleaved Garment: The Maker, The Wearer and the "Me and Not Me" of Fashion Practice

被引:13
作者
Sampson, Ellen [1 ]
机构
[1] Chelsea Coll Art, London, England
来源
FASHION THEORY-THE JOURNAL OF DRESS BODY & CULTURE | 2018年 / 22卷 / 03期
基金
英国艺术与人文研究理事会;
关键词
clothing; attachment; touch; making; materiality;
D O I
10.1080/1362704X.2017.1366187
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
This article explores the ways that the self and the garment may become entwined-how through the acts of making and of wearing clothes, the garment and self become cleaved, both to and from one another. The article presents the processes of making and of using garments as both a negotiation with the garment's materiality and the projection of the user's fantasy onto their material form-processes through which the maker or user's agency may become entangled with the material agency of the garment. Though the relationships between "the wearer and the garment" and between "the garment and the maker" have been addressed, these two sets of relationships are often viewed as bounded or mutually exclusive. The distance between maker and user in contemporary commodity cultures often renders the maker inert in the experience of the wearer; the maker's agency is viewed as bounded within the transaction of making. This article suggests a rethinking of this dynamic, examining the ways that the maker is present for the wearer in their experience of the garment.
引用
收藏
页码:341 / 360
页数:20
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