Mas no cabras alla: Gongora's early modern representation of the modern sublime

[1] Alonso Damaso, 1974, GONGORA POLIFEMO

[2] Boitani Piero, 1989, The Tragic and the Sublime in Medieval Literature

[3] Ciplijauskaite Birute, 1981, SONETOS

[4] Cirlot J.E., 1971, DICT SYMBOLS, V2nd

[5] Crawford J. P. Wickersham, 1916, ROMANIC REV, VVII, P314

[6] DIAZDERIVAS P, 1960, DOCUMENTOS GONGORINO

[7] GONGORAYARGOTE LD, 1981, SONETOS

[8] GONGORAYARGOTE LD, 1990, FABULA POLIFEMO GALA

[9] González Echevarría R, 2001, HISPANIA-J DEV INTER, V84, P428

[10] Guyer Paul., 1993, Kant and the Experience of Freedom

[1] Alonso Damaso, 1974, GONGORA POLIFEMO

[2] Boitani Piero, 1989, The Tragic and the Sublime in Medieval Literature

[3] Ciplijauskaite Birute, 1981, SONETOS

[4] Cirlot J.E., 1971, DICT SYMBOLS, V2nd

[5] Crawford J. P. Wickersham, 1916, ROMANIC REV, VVII, P314

[6] DIAZDERIVAS P, 1960, DOCUMENTOS GONGORINO

[7] GONGORAYARGOTE LD, 1981, SONETOS

[8] GONGORAYARGOTE LD, 1990, FABULA POLIFEMO GALA

[9] González Echevarría R, 2001, HISPANIA-J DEV INTER, V84, P428

[10] Guyer Paul., 1993, Kant and the Experience of Freedom