What is the act of reading, if not the incorporation of the protagonists' subjectivity and the indivisible production of the senses? Thought as a monument, it would be the book, and therefore literature, a conscious or unconscious legacy of mute words upon which an order of discourse is exposed. Thus, based on Le Goff (1990), in proposing the need to demolish the construction and analyze the conditions in which monuments/documents are produced, this paper focuses on the consensus, crossed by power relations, of the male predominance in literary processes, from the one who writes to the one who reads. So, guided by Virginia Woolf's (2014) statement, in externalizing the scarcity of adaptations to women for literary production, which also revealed the absence of feminine reflections in a sense, of the women, it is necessary to emphasize the emergence of reading clubs created to privilege, exclusively, the writing of women. Perceived as one of the marks of contemporary society, as well as an inheritance of feminist achievements, such groups, composed mainly of women, have as purpose the subversion of the old order of the discourse of masculine literary production. This positioning, of course, promotes the construction of critical thinking and, inseparably, the subjectivation processes of their members marked by the interpretations of themselves. Moreover, under the support of Foucault (2014), in regard to power relations, it is understood that such spaces, when reinventing themselves under the established literary idiosyncrasy, mean a place of protest, where, through their practices, people and impulses, women are challenged to be on the other side of the relations of forces that cross and also form the universe of literature, proclaiming themselves as irreducible interlocutors.
