Structure Disclosed. Replete Moments and Aesthetic Experience in Reading Novels

Despite the huge interest in different philosophical questions surrounding literature, particularly analytic philosophers have had relatively little to say about literature's specifically aesthetic character. Peter Kivy has developed this antiaesthetic tendency furthest, ultimately denying that the reading of prose literature has any deep aesthetic content. Building on Alan Goldman's and John Dewey's work on aesthetic experience, I argue that a key literary feature of novels I single out - what I term a replete moment - has the potential to trigger in readers significant aesthetic experiences. Along with revealing aesthetic aspects in reading that Kivy's position does not cover, my account shows that contemplation of the overall structure of the novel is not the sole, more substantial form aesthetic experience can take in the case of reading, as Kivy's formalistic literary aesthetics assumes. This conclusion is argued to be significant also for the general philosophical discussion on aesthetic experience. An analysis of a key passage in John Irving's A Prayer for Owen Meany is an important part of the view of literary aesthetic experience put forth.