Jazz after 'Jazz': Ken Burns and the construction of jazz history

[1] [Anonymous], 1986, PHILOS DISENFRANCHIS

[2] Burns Ken, JAZZ

[3] The end of art? (Philosophy of art history) [J]. HISTORY AND THEORY, 1998, 37 (04) : 17 - 29

[4] Collingwood RG, 1958, PRINCIPLES ART

[5] Crimp Douglas., 1993, MUSEUMS RUINS

[6] Danto A., 1996, After the End of Art: Contemporary Art and the Pale of History

[7] The end of art: A philosophical defense [J]. HISTORY AND THEORY, 1998, 37 (04) : 127 - 143

[8] DeVeaux Scott., 1998, The Jazz Cadence of American Culture, P483

[9] Dewey J., 1938, ART EXPERIENCE

[10] Hagberg G. L., 1995, Art as Language: Wittgenstein, Meaning, and Aesthetic Theory

[1] [Anonymous], 1986, PHILOS DISENFRANCHIS

[2] Burns Ken, JAZZ

[3] The end of art? (Philosophy of art history) [J]. HISTORY AND THEORY, 1998, 37 (04) : 17 - 29

[4] Collingwood RG, 1958, PRINCIPLES ART

[5] Crimp Douglas., 1993, MUSEUMS RUINS

[6] Danto A., 1996, After the End of Art: Contemporary Art and the Pale of History

[7] The end of art: A philosophical defense [J]. HISTORY AND THEORY, 1998, 37 (04) : 127 - 143

[8] DeVeaux Scott., 1998, The Jazz Cadence of American Culture, P483

[9] Dewey J., 1938, ART EXPERIENCE

[10] Hagberg G. L., 1995, Art as Language: Wittgenstein, Meaning, and Aesthetic Theory