Modulation rate discrimination for unresolved components: Temporal cues related to fine structure and envelope

被引:9
作者
Hall, JW [1 ]
Buss, E [1 ]
Grose, JH [1 ]
机构
[1] Univ N Carolina, Sch Med, Div Otolaryngol Head & Neck Surg, Chapel Hill, NC 27599 USA
关键词
D O I
10.1121/1.1532004
中图分类号
O42 [声学];
学科分类号
070206 ; 082403 ;
摘要
The present study investigated the hypothesis that the cues for modulation rate discrimination for unresolved spectral components differ as a function of the spectral region occupied by the stimuli. Specifically, it was hypothesized that when components occupy relatively low spectral regions, phase locking both to the fine structure and to the envelope are useful cues. However, as the spectral region occupied by the components increases, phase locking to the fine structure becomes less robust, whereas phase locking to the envelope remains as a potentially strong cue. Observers were asked to detect a decrease in modulation rate for carrier frequencies between 1500 and 6000 Hz. Both amplitude-modulated (AM) and quasifrequency-modulated (QFM) tones were used in order to produce stimuli having strong and weak envelope cues, respectively. Although there were marked individual differences, the results showed an interaction between modulation type and spectral region, with AM and QFM performance being relatively similar at low spectral region, but with QFM showing a steeper reduction in performance as the spectral region of the carrier frequency increased. Overall, the data are consistent with an interpretation that pitch perception for unresolved components depends upon both fine structure and envelope cues, and that the relative importance of these cues depends upon the spectral region occupied by the stimuli. (C) 2003 Acoustical Society of America.
引用
收藏
页码:986 / 993
页数:8
相关论文
共 38 条
[1]  
[Anonymous], FREQUENCY ANAL PERIO
[2]  
*ANSI, 1996, ANSI S3 1996 AM NAT
[3]   Neural correlates of the pitch of complex tones .2. Pitch shift, pitch ambiguity, phase invariance, pitch circularity, rate pitch, and the dominance region for pitch [J].
Cariani, PA ;
Delgutte, B .
JOURNAL OF NEUROPHYSIOLOGY, 1996, 76 (03) :1717-1734
[4]   Neural correlates of the pitch of complex tones .1. Pitch and pitch salience [J].
Cariani, PA ;
Delgutte, B .
JOURNAL OF NEUROPHYSIOLOGY, 1996, 76 (03) :1698-1716
[5]   AUDITORY SPECTRAL FILTERING AND MONAURAL PHASE PERCEPTION [J].
GOLDSTEIN, JL .
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1967, 41 (02) :458-+
[6]   OPTIMUM PROCESSOR THEORY FOR CENTRAL FORMATION OF PITCH OF COMPLEX TONES [J].
GOLDSTEIN, JL .
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1973, 54 (06) :1496-1516
[7]   ENCODING AND PITCH STRENGTH OF COMPLEX TONES [J].
HALL, JW ;
SODERQUIST, DR .
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1975, 58 (06) :1257-1261
[8]   HEARING A MISTUNED HARMONIC IN AN OTHERWISE PERIODIC COMPLEX TONE [J].
HARTMANN, WM ;
MCADAMS, S ;
SMITH, BK .
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1990, 88 (04) :1712-1724
[9]   PITCH IDENTIFICATION AND DISCRIMINATION FOR COMPLEX TONES WITH MANY HARMONICS [J].
HOUTSMA, AJM ;
SMURZYNSKI, J .
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1990, 87 (01) :304-310