From the dress as an identity image to the dress as a textual image

This essay addresses the dress as a system of signs in the elaboration of texts to structure a comparative semiotic analysis of the language of fashion. Taking elements from Greimas, Barthes, Eco, Squicciarino, Saltzaman and Cid Jurado, placing the dress as a place of changing cultural identity, influenced in part by the fashion movements. Therefore, it is necessary to understand clothing as a phenomenon of exchanges and support for the cultural translation exercised by fashion designers. In such a way that a game of equivalences between dress-piece of art is established in the reader, in order to elucidate the games of relationship that arise in space-time with works of art.