Performance Following: Real-Time Prediction of Musical Sequences Without a Score

被引:1
作者
Stark, Adam M. [1 ]
Plumbley, Mark D. [1 ]
机构
[1] Queen Mary Univ London, Dept Elect Engn & Comp Sci, London E1 4NS, England
来源
IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING | 2012年 / 20卷 / 01期
基金
英国工程与自然科学研究理事会;
关键词
Beat-synchronous sequences; online algorithms; performance following; SEARCH; AUDIO;
D O I
10.1109/TASL.2011.2159593
中图分类号
O42 [声学];
学科分类号
070206 ; 082403 ;
摘要
This paper introduces a technique for predicting harmonic sequences in a musical performance for which no score is available, using real-time audio signals. Recent short-term information is aligned with longer term information, contextualizing the present within the past, allowing predictions about the future of the performance to be made. Using a mid-level representation in the form of beat-synchronous harmonic sequences, we reduce the size of the information needed to represent the performance. This allows the implementation of real-time performance following in live performance situations. We conduct an objective evaluation on a database of rock, pop, and folk music. Our results show that we are able to predict a large majority of repeated harmonic content with no prior knowledge in the form of a score.
引用
收藏
页码:190 / 199
页数:10
相关论文
共 51 条
  • [1] Information dynamics: patterns of expectation and surprise in the perception of music
    Abdallah, Samer
    Plumbley, Mark
    [J]. CONNECTION SCIENCE, 2009, 21 (2-3) : 89 - 117
  • [2] ALLAUZEN C, 1999, LECT NOTES COMPUTER, P291
  • [3] Gapped BLAST and PSI-BLAST: a new generation of protein database search programs
    Altschul, SF
    Madden, TL
    Schaffer, AA
    Zhang, JH
    Zhang, Z
    Miller, W
    Lipman, DJ
    [J]. NUCLEIC ACIDS RESEARCH, 1997, 25 (17) : 3389 - 3402
  • [4] BASIC LOCAL ALIGNMENT SEARCH TOOL
    ALTSCHUL, SF
    GISH, W
    MILLER, W
    MYERS, EW
    LIPMAN, DJ
    [J]. JOURNAL OF MOLECULAR BIOLOGY, 1990, 215 (03) : 403 - 410
  • [5] [Anonymous], 2000, Speech and language processing: An introduction to natural language processing, computational linguistics, and speech recognition
  • [6] Assayag G, 2004, SOFT COMPUT, V8, P604, DOI [10.1007/s00500-004-0385-4, 10.1007/S00500-004-0385-4]
  • [7] ASSAYAG G, 2006, P SOUND MUS COMP C
  • [8] To catch a chorus: Using chroma-based representations for audio thumbnailing
    Bartsch, MA
    Wakefield, GH
    [J]. PROCEEDINGS OF THE 2001 IEEE WORKSHOP ON THE APPLICATIONS OF SIGNAL PROCESSING TO AUDIO AND ACOUSTICS, 2001, : 15 - 18
  • [9] Bello J. P., 2005, P 6 INT C MUSIC INFO, P304, DOI 10.5281/zenodo.1417431
  • [10] BLOCH G, 2008, P INT COMP MUS C