Adieu Philippine and Rozier's alternative sound practice

被引：4

作者：

Neupert, Richard ^{[1
]}

机构：

[1] Univ Georgia, Athens, GA 30602 USA

来源：

STUDIES IN FRENCH CINEMA | 2011年 / 11卷 / 01期

关键词：

Adieu Philippine; French New Wave; Jacques Rozier; soundtrack image-to-sound relations; Georges de Beauregard;

D O I：

10.1386/sfc.11.1.31_1

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

Adieu Philippine (1962) provides an important test case for sound-to-image relations within French New Wave cinema. The casual mise-en-scene and editing create a strong sense of spontaneity, while the dialogue is full of everyday slang, spoken in natural rhythms. Yet, because the original sound recording proved unusable, Rozier became a sort of archeologist, reconstructing his own soundtrack artificially in the studio. A significant tension results between the image and sounds, and Rozier's film proves to be one of the New Wave's most striking studies of the material nature of cinematic practice.

引用

页码：31 / 41

页数：11

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Neupert, Richard .

STUDIES IN FRENCH CINEMA, 2011, 11 (01) :31-41

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