Misery Loves Company: Mood-Congruent Emotional Responding to Music

被引:85
作者
Hunter, Patrick G. [1 ]
Schellenberg, E. Glenn [1 ]
Griffith, Andrew T. [1 ]
机构
[1] Univ Toronto, Dept Psychol, Mississauga, ON L5L 1C6, Canada
关键词
music and emotion; music and mood; mood congruency; music preferences; UNDERLYING MECHANISMS; RESPONSES; ANGER; COGNITIONS; EXPERIENCE; EXPOSURE; BEHAVIOR; STIMULI; LIKING;
D O I
10.1037/a0023749
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
We examined emotional responding to music after mood induction. On each trial, listeners heard a 30-s music excerpt and rated how much they liked it, whether it sounded happy or sad, and how familiar it was. When the excerpts sounded unambiguously happy or sad (Experiment 1), the typical preference for happy-sounding music was eliminated after inducing a sad mood. When the excerpts sounded ambiguous with respect to happiness and sadness (Experiment 2), listeners perceived more sadness after inducing a sad mood. Sad moods had no influence on familiarity ratings (Experiments 1 and 2). These findings imply that "misery loves company." Listeners in a sad mood fail to show the typical preference for happy-sounding music, and they perceive more sadness in music that is ambiguous with respect to mood.
引用
收藏
页码:1068 / 1072
页数:5
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