Correlation between degree of hallux valgus and kinematics in classical ballet: A pilot study

被引:13
作者
Seki, Haruka [1 ,2 ]
Miura, Akito [3 ]
Sato, Nahoko [4 ]
Yuda, Jun [2 ]
Shimauchi, Toshiko [2 ]
机构
[1] Japan Ballet Educ Assoc, Tokyo, Japan
[2] Japan Womens Coll Phys Educ, Dept Movement Sci, Tokyo, Japan
[3] Waseda Univ, Fac Human Sci, Saitama, Japan
[4] Nagoya Gakuin Univ, Fac Rehabil Sci, Dept Phys Therapy, Nagoya, Aichi, Japan
关键词
ALIGNMENT; TURNOUT; DYNAMICS;
D O I
10.1371/journal.pone.0231015
中图分类号
O [数理科学和化学]; P [天文学、地球科学]; Q [生物科学]; N [自然科学总论];
学科分类号
07 ; 0710 ; 09 ;
摘要
Hallux valgus is a serious medical concern for classical ballet dancers. Although it is well-known that progression of hallux valgus is related to inappropriate movement techniques in classical ballet, the kinematic relationship between the degree of hallux valgus and ballet techniques has not been substantiated. To develop proper training methods that prevent progression of hallux valgus, this study aimed to investigate the relationship between the degree of hallux valgus and movement techniques in classical ballet. Seventeen female classical ballet dancers at the advanced college-level participated in this study. Kinematic analysis of standing and plie' in the first position was conducted via video capture technique. The Pearson product-moment correlation analysis was performed to examine the degree of hallux valgus and the following three kinematic variables: (1) the extent to which turnout is forced by other joints in the lower extremity than the hip joint, (2) the direction difference between the knee and toe in the transverse plane, and (3) the pelvis obliquity angle. Among these kinematic variables, we found a significant correlation between the hallux valgus angle and the pelvis obliquity angle during plie' (P = .045). The greater the hallux valgus angle, the greater the retroversion of the pelvis, a result which was contrary to our prediction. We present the first evidence that the degree of hallux valgus correlates with kinematics in a very basic technique of classical ballet.
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页数:10
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