Theorizing "Stories About Algorithms" as a Mechanism in the Formation and Maintenance of Algorithmic Imaginaries

被引:49
作者
Schellewald, Andreas [1 ]
机构
[1] Goldsmiths Univ London, Media & Commun, London, England
来源
SOCIAL MEDIA + SOCIETY | 2022年 / 8卷 / 01期
关键词
TikTok; algorithms; algorithmic imaginaries; ethnography; digital culture; TIKTOK;
D O I
10.1177/20563051221077025
中图分类号
G2 [信息与知识传播];
学科分类号
05 ; 0503 ;
摘要
In this article, I report from an ethnographic investigation into young adult users of the popular short-video app TikTok. More specifically, I discuss their experience of TikTok's algorithmic content feed, or so-called "For You Page." Like many other personalized online environments today, the For You Page is marked by the tension of being a mechanism of digital surveillance and affective control, yet also a source of entertainment and pleasure. Focusing on people's sense-making practices, especially in relation to stories about the TikTok algorithm, the article approaches the discursive repertoire that underpins people's negotiation of this tension. Doing so, I theorize the role and relevance of "stories about algorithms" within the context of algorithmic imaginaries as activating users in sense-making processes about their algorithmic entanglements.
引用
收藏
页数:10
相关论文
共 36 条
[1]  
Abidin C., 2020, Cultural Science Journal, V12, P77, DOI [DOI 10.5334/CSCI.140, 10.5334/csci.140]
[2]  
Allgaier, 2021, INT J COMMUN-US, V15, P3216, DOI DOI 10.31219/OSF.IO/8TDVM
[3]  
Ang I., 1996, Living room wars: Rethinking media audiences for a postmodern world
[4]  
[Anonymous], 1994, R. v. Central Independent Television plc
[5]  
[Anonymous], 2020, HELLO WEARY SCROLLER
[6]  
[Anonymous], 2019, FYP FORYOU FORYOUPAG
[7]  
BENJAMIN Walter., 1977, Illuminationen, Augewahlte Schriften 1, P385
[8]   Algorithmic Experts: Selling Algorithmic Lore on YouTube [J].
Bishop, Sophie .
SOCIAL MEDIA + SOCIETY, 2020, 6 (01)
[9]   Managing visibility on YouTube through algorithmic gossip [J].
Bishop, Sophie .
NEW MEDIA & SOCIETY, 2019, 21 (11-12) :2589-2606
[10]  
Boffone Trevor., 2021, Renegades: Digital Dance Cultures from Dubsmash to TikTok