Dial M for Murder: the detective thriller, the postwar uncanny, and 3D cinema

被引：0

作者：

Whissel, Kristen ^{[1
]}

机构：

[1] Univ Calif Berkeley, Dept Film & Media, Berkeley, CA 94720 USA

来源：

NEW REVIEW OF FILM AND TELEVISION STUDIES | 2022年 / 20卷 / 01期

关键词：

3D cinema; Dial M for Murder; the uncanny; cine-genres; Hitchcock;

D O I：

10.1080/17400309.2021.1993433

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

In Alfred Hitchcock's Dial M for Murder (1954), 3D facilitates the film's organization of the scopic and epistemological pleasures of the detective thriller around the perceptual experience of the uncanny. By filtering its decor through stereo-aesthetics, Dial M articulates a postwar dread of dispossession, challenges the spectator's efforts to feel 'at home' in the depicted space and in the space of reception, and dramatizes how the (violent) violation of boundaries and the anticipation of homelessness shaped the experience of postwar modernity.

引用

页码：49 / 62

页数：14