Moving the Goalposts Modernism and 'World Art History'

1The author discusses the consequences of the academicisation of the social history of art, the way in which a project that was initially a response to pressing issues both inside and outside the academy has become increasingly institutionalised. To restore a wider relevance, he argues the need to open art history to the requirements of a contemporary global imperative, to play its part in the study of a global field of visual culture. But this is not simply a question of expanding the remit of existing art history. The focus is on the consequences for emergent world art studies of a critical engagement with the legacy of both modernism and conceptual art. The author considers four aspects of this: the impact of the decline of modernist binaries of high/low, and of mainstream/provincial, the idea of the autonomy of art, and contrasting definitions of the nature of art itself. © 2011 Copyright Third Text.