A Return to Musical Idealism

被引：14

作者：

Cray, Wesley D. ^{[1
]}

Matheson, Carl ^{[2
]}

机构：

[1] Texas Christian Univ, Ft Worth, TX 76129 USA

[2] Univ Manitoba, Winnipeg, MB, Canada

来源：

AUSTRALASIAN JOURNAL OF PHILOSOPHY | 2017年 / 95卷 / 04期

关键词：

metaphysics; ontology of art; ontology of music; ARTWORK COMPLETION; OF-ART; ONTOLOGY; WORK; ROCK; JAZZ; PERDURANTISM; DEFENSE; OBJECTS;

D O I：

10.1080/00048402.2017.1281323

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

In disputes about the ontology of music, musical idealismthat is, the view that musical compositions are ideashas proven to be rather unpopular. We argue that, once we have a better grip on the ontology of ideas, we can formulate a version of musical idealism that is not only defensible, but plausible and attractive. We conclude that compositions are a particular kind of idea: they are completed ideas for musical manifestation.

引用

页码：702 / 715

页数：14

共 49 条

[1] Phonography, rock records, and the ontology of recorded music [J].