Country Music for People Who Don't Like Country Music Sturgill Simpson and Outlaw Privilege

被引：1

作者：

Hollowell, Adam ^{[1
]}

Miller, Alexandria ^{[2
]}

机构：

[1] Duke Univ, Samuel DuBois Cook Ctr Social Equ, Durham, NC 27706 USA

[2] Brown Univ, Africana Studies, Providence, RI 02912 USA

来源：

关键词：

Sturgill Simpson; Country Music; Whiteness Studies; Masculinity; Privilege; Appropriation; RACE;

D O I：

10.1525/jpms.2019.31.4.121

中图分类号：

J6 [音乐];

学科分类号：

摘要：

This essay explores white masculinity and the recuperation of privilege in the figure of Sturgill Simpson, an American country music singer fromJackson, Kentucky. Operating at the intersection of country music studies and third wave whiteness studies, it demonstrates how Simpson deploys the outsider identity of the industry outlaw to recuperate insider benefits of critical acclaim, commercial success, and creative license. As an artist who makes country music for "people who don't like country music," Simpson functions as a representative figure of the adaptive tactics of white masculinity and the broader politics of inclusion and exclusion in contemporary country music.

引用

页码：121 / 141

页数：21