The aesthetic appeal of symmetry has been noted and discussed by artists, historians and scientists. To what extent this appeal is universal is a difficult question to answer. From a theoretical perspective, cross-cultural comparisons are important, because similarities would support the universality of the response to symmetry. Some pioneering work has focussed on comparisons between Britain and Egypt (Soueif & Eysenck, 1971, 1972), including both experts and naive subjects. These studies confirmed some degree of universal agreement in preferences for simple abstract symmetry. We revisited this comparison after almost half a century. We compared preferences of naive students in Egypt (n = 200) and Britain (n= 200) for 6 different classes of symmetry in novel, abstract stimuli. We used three different measurements of complexity: Gif ratio, Edge length and the average cell size (average blob size, ABS). The results support Soueif & Eysenck's findings regarding preferences for reflectional and rotational symmetry, however they also throw new light on a greater preference for simplicity in Egyptian participants already noted by Soueif & Eysenck (1971).