Visual shock: A history of art controversies in American culture.

[1] [Anonymous], 1991, IWO JIMA MONUMENTS M

[2] [Anonymous], 2006, VISUAL SHOCK HIST AR

[3] BOGART M, 1989, PUBLIC SCULPTURE CIV

[4] DiMaggio P, 1982, MEDIA CULT SOC, V4, P33

[5] Fryd VivienGreen., 1992, Art and Empire: The Politics of Ethnicity in the United States Capitol, 1815-1860

[6] Kasson Joy, 1990, MARBLE QUEENS CAPTIV

[7] Lubin David, 1994, Picturing a Nation: Art and Social Change in Nineteenth-Century America

[8] MARLING KA, 1982, WALL WALL AM CULTURA

[9] Savage Kirk., 1997, Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth Century America

[10] Senie Harriet F., 1992, CRITICAL ISSUES PUBL

[1] [Anonymous], 1991, IWO JIMA MONUMENTS M

[2] [Anonymous], 2006, VISUAL SHOCK HIST AR

[3] BOGART M, 1989, PUBLIC SCULPTURE CIV

[4] DiMaggio P, 1982, MEDIA CULT SOC, V4, P33

[5] Fryd VivienGreen., 1992, Art and Empire: The Politics of Ethnicity in the United States Capitol, 1815-1860

[6] Kasson Joy, 1990, MARBLE QUEENS CAPTIV

[7] Lubin David, 1994, Picturing a Nation: Art and Social Change in Nineteenth-Century America

[8] MARLING KA, 1982, WALL WALL AM CULTURA

[9] Savage Kirk., 1997, Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth Century America

[10] Senie Harriet F., 1992, CRITICAL ISSUES PUBL