NEXT STOP: MANGUETOWN - CULTURE FLOWS IN THE CITY AND A NEW LOOK BACK TO BRAZIL

被引：0

作者：

Novais, Felipe Roner Vilanova ^{[1
]}

Alto, Romulo Monte ^{[2
]}

机构：

[1] Univ Fed Minas Gerais, Estudos Literarios Pelo Programa Posgrad Estudos, Fac Letras, Belo Horizonte, MG, Brazil

[2] Univ Fed Minas Gerais, Fac Letras, Belo Horizonte, MG, Brazil

来源：

LITERATURA E AUTORITARISMO | 2021年 / 38期

关键词：

Manguebeat; Manguetown; culture; resistance; city;

D O I：

10.5902/1679849X67870

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

This article aims to raise reflections about the Manguebeat scene, a movement that erupted in Recife at the end of the 1980s. In this context, a relation between the city and the cultural productions of the band Chico Science & Nacao Zumbi - specifically in the albums Da Lama ao Caos (1994) and Afrociberdelia (1996) - is proposed, a dinamic that projects a symbolic space understood as Manguetown. The aim is to understand how the songs inscribed on the scene reflect another image of Brazil to Brazil and diversify a hegemonic axis of production and circulation of culture. To this end, the contributions of Henri Lefevbre (2002), Benedict Anderson (2008) and Georges Didi-Huberman (2015) are recollected for the construction of a theoretical apparatus that allows the investigation of this scenario.This process is accompanied by considerations on the dynamics between global and local - considering the ideas of Andreas Huyssen (2002) in the wake of Cultural Studies - configured in the privileged space of analysis

引用

页码：93 / 104

页数：12