PIERRE BOULEZ IN INTERVIEW, 1996 (III) MALLARME, MUSICAL FORM AND ARTICULATION

被引：1

作者：

Guldbrandsen, Erling E. ^{[1
]}

Boulez, Pierre ^{[1
]}

机构：

[1] Univ Oslo, Dept Musicol, N-0316 Oslo, Norway

来源：

TEMPO | 2011年 / 257卷

关键词：

D O I：

10.1017/S0040298211000234

中图分类号：

J6 [音乐];

学科分类号：

摘要：

EG: In 1960, in your article 'Sonate, que me veux-tu' you introduce the word 'anonymity' or anonymat. Here is what you say: 'The great works of Joyce and Mallarmé are the data for a new age in which texts are becoming-as it were-anonyme-y parlant de lui-méme et sans voix d'auteur.' (Here you are quoting Mallarmé's famous letter to Verlaine.) And you go on: 'If I had to name the motive underlying the work I have been trying to describe [the Third Sonata], it would be the search for an "anonymity" of this kind.' This search for an 'anonymity' of that kind, is it part of your motive for using serial techniques altogether? © 2011 Cambridge University Press.

引用

页码：11 / 21

页数：11