Lost and Mastermind Narration

被引:7
作者
Clarke, M. J. [1 ]
机构
[1] Univ Calif Los Angeles, Sch Theater Film & Televis, Dept Cinema & Media Studies, Los Angeles, CA 90024 USA
关键词
Lost; seriality; franchise; flashbacks; network television; show runners;
D O I
10.1177/1527476409344435
中图分类号
G2 [信息与知识传播];
学科分类号
05 ; 0503 ;
摘要
ABC's Lost is indicative of a recent trend in television programming that exploits seriality, information multiplicity and real virtuality. While these aesthetic innovations have arguably facilitated the franchising of this and other programs, it has also created several textual problems around the issues of canon, authority and narration. In this article, I illustrate how Lost uses the strategies of what I call mastermind narration to rearticulate this imperiled textual authority. The strategies of this tendency include the use of repeated subject matter, particularly confidence tricks, and the patterning of textual form, particularly through shifting the narrational valence of series flashbacks.
引用
收藏
页码:123 / 142
页数:20
相关论文
共 24 条
[1]  
Allen R.C., 1985, SPEAKING SOAP OPERAS
[2]  
[Anonymous], 1983, RHETORIC FICTION
[3]  
Bellour R., 2000, ANAL FILM
[4]  
Branigan Edward., 1984, Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film
[5]  
Castells M., 2006, Rise of the Network Society
[6]  
CLARKE MJ, COMMUNICATI IN PRESS
[7]  
Creeber Glen., 2004, Serial television
[8]  
Dick P. K., 1981, Valis
[9]  
Gaudreault Andre., 2004, A companion to film theory, P45
[10]  
Hills Matt., 2002, FAN CULTURES