Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Araiz's The Rite of Spring and Ana Itelman's Phaedra

被引：1

作者：

Ignacio Vallejos, Juan ^{[1
,2
,3
,4
]}

机构：

[1] Sch Adv Studies Social Sci EHESS, Paris, France

[2] Univ Nancy 2, UBA, EHESS, Nancy, France

[3] CND, Pantin, France

[4] Consejo Nacl Invest Cient & Tecn, RA-1033 Buenos Aires, DF, Argentina

来源：

DANCE RESEARCH JOURNAL | 2016年 / 48卷 / 02期

关键词：

Ana Itelman; Argentine dance; censorship; contemporary dance; dance and politics; dictatorship; Oscar Araiz;

D O I：

10.1017/S0149767716000218

中图分类号：

J7 [舞蹈];

学科分类号：

摘要：

A phenomenon that defines how dance practices in Argentina developed during the 1960s was the fact that those working in the field were compelled to deal with the political sphere, both at an institutional level and vis-a-vis militants. By studying how Oscar Araiz's Rite of Spring and Ana Itelman's Phaedra were received, I analyze the position occupied by these artistic practices in a context of widespread social contestation. An attempt will be made to analyze their critical potential on the basis of the figure of a utopian subversion associated with a struggle over sexual freedom in the face of dictatorial power.

引用

页码：61 / 79

页数：19