Using empirical vignettes of repression against minority groups in the Global South, my essay attempts to contribute to the existing discourse in disconnection studies by contextualising and reconceptualising the notion of disconnection in the contemporary milieu. I introduce the term 'dis/connection' into the existing repertoire to illustrate how the interplay between connection and disconnection serves as a tactic and a technique of both repression and resistance. 'Dis/connection as repression' represents a political practice of modern power that is ubiquitous, diffuse and circulating; it captures both territorial and network ecologies, renders the living condition of the targeted community transparent, making them visible to the gaze of the authorities. Against this practice, I identify the possibility of resistance by conceptualising 'dis/connection as resistance' in the form of an assemblage, namely the interplay between connection and disconnection that is formed through a constellation of things, each paving their own pathways but can cohere at certain events or moments before dispersing again. 'Dis/connection assemblage' follows the logic of media hybridity, is built upon temporary aggregates of media artefacts and connects networks and territorialities in multiple spatialities and temporalities. Within the dis/connection assemblage, people may sculpt their spaces and networks of hope for change.
