The Sublime and the Beautiful in Joseph Brodsky's Venice Essay

被引:0
作者
Kovelman, Arkady [1 ]
机构
[1] Lomonosov Moscow State Univ, Inst Asian & African Studies, Moscow, Russia
来源
NOVOE LITERATURNOE OBOZRENIE | 2021年 / 169期
关键词
Metamorphoses; Narcissus; Ovid; Hegel; Nietzsche; Brodsky; Venice;
D O I
暂无
中图分类号
I0 [文学理论];
学科分类号
0501 ; 050101 ;
摘要
This article is an interpretation of Joseph Brodsky's essay Watermark. Since this text does not have a linear composition (either discursive or in terms of events), strictly conceptual or analytical methods cannot be applied. In Brodsky's words, "for all its beauty, a distinct concept always means a shrinkage of meaning, cutting off loose ends. And the loose ends are what matter most in the phenomenal world, for they interweave." Nevertheless, there is still meaning, and it can be extracted by unweaving the fabric of the text and weaving it anew. This fabric is interlaced with Greek myths, biblical stories, philosophical ideas and binary oppositions. Without being conceptual, Brodsky's text is deeply philosophical and holistic. The poet strived to reflect the semantics of the world, which is understood as a rhetorical figure.
引用
收藏
页码:256 / 272
页数:17
相关论文
共 31 条
[1]  
[Anonymous], 1990, NIKAKOY MELODRAMY BE, P113
[2]  
[Anonymous], 2012, METAFORICHESKAYA MIS
[3]  
Averintsev S.S., 1997, Poetika rannevizantiyskoy literatury
[4]  
Barthes R., 1989, IZBRANNYE RABOTY SEM, P384
[5]  
Bethea DavidM., 1994, JOSEPH BRODSKY CREAT
[6]  
Brodsky J., 1990, SBORNIK POSVYASHCHEN, P10
[7]  
Brodsky J., 1990, OB ODNOM STIKHOTVORE, P65
[8]  
Brodsky J, 1997, ON GRIEF AND REASON
[9]  
Brodsky J., 2008, KNIGA INTERVYU
[10]  
Brodsky J., 2006, POKLONITSYA TENI ESS