The definition of the museum through its social role

被引：55

作者：

Brown, Karen ^{[1
,2
]}

Mairesse, Francois ^{[3
,4
,5
,6
]}

机构：

[1] Univ St Andrews, Art Hist & Museum & Gallery Studies, St Andrews, Fife, Scotland

[2] Museums Galleries & Collect Res Inst, St Andrews, Fife, Scotland

[3] Univ Sorbonne Nouvelle Paris 3, Museol & Cultural Econ, Paris, France

[4] Ecole Louvre, Museol, Paris, France

[5] Int Comm Museol ICOFOM, Paris, France

[6] Musee Royal Mariemont, Morlanwelz, Belgium

来源：

CURATOR-THE MUSEUM JOURNAL | 2018年 / 61卷 / 04期

基金：

欧盟地平线“2020”;

关键词：

D O I：

10.1111/cura.12276

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

For the seventh time in its history the ICOM Definition of a Museum is under discussion, with a view to possible revision to be agreed at the General Conference in Kyoto in September 2019. As part of this process, ICOFOM initiated an academic debate on the Definition, welcoming museologists, museum professionals and policy makers to a suite of symposia held around the world in 2017. In this article, we consider the results of symposia held in France, Argentina, Brazil, and Scotland in the light of the changing social role of museums, and reveal how the museum has come to perceive itself differently in relation to museum values, participation and social inclusion in Europe and Latin America.

引用

页码：525 / 539

页数：15

共 68 条

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