Perception of emotion in abstract artworks: A multidisciplinary approach

被引:29
作者
Melcher, David [1 ]
Bacci, Francesca [2 ]
机构
[1] Ctr Mind Brain Sci CIMeC, Rovereto, Italy
[2] Museum Contemporary & Modern Art Rovereto Trento, Rovereto, Italy
来源
FINE ARTS, NEUROLOGY, AND NEUROSCIENCE NEW DISCOVERIES AND CHANGING LANDSCAPES | 2013年 / 204卷
关键词
visual art; abstract art; emotion; art and neuroscience; visual perception; computer vision; neuroaesthetics; FACIAL EXPRESSIONS; PREFERENCE; ART; COGNITION; BIOLOGY; COLOR;
D O I
10.1016/B978-0-444-63287-6.00010-5
中图分类号
Q189 [神经科学];
学科分类号
071006 ;
摘要
There is a long-standing and fundamental debate regarding how emotion can be expressed by fine art. Some artists and theorists have claimed that certain features of paintings, such as color, line, form, and composition, can consistently express an "objective" emotion, while others have argued that emotion perception is subjective and depends more on expertise of the observer. Here, we discuss two studies in which we have found evidence for consistency in observer ratings of emotion for abstract artworks. We have developed a stimulus set of abstract art images to test emotional priming, both between different painting images and between paintings and faces. The ratings were also used in a computational vision analysis of the visual features underlying emotion expression. Overall, these findings suggest that there is a strong bottom-up and objective aspect to perception of emotion in abstract artworks that may tap into basic visual mechanisms.
引用
收藏
页码:191 / 216
页数:26
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