Multiple bursts, multiple looks, and stream coherence in the release from informational masking

In the-simultaneous multitone masking paradigm introduced by Neff and Green [Percept. Psychophys. 41, 409-415 (1987)] the masker typically is a small number of tones having frequencies and levels that are randomly drawn on every presentation. Large amounts of masking for a pure-tone signal often occur that are thought to reflect central, rather than peripheral, limitations on processing. Previous work from this laboratory has indicated that playing a rapid succession of randomly drawn multitone maskers in each observation interval dramatically reduces the amount of masking that is observed relative to a single burst. (SB). In this multiple-bursts-different (MBD) procedure, the signal tone is the, only constant frequency component during the sequence of bursts and tends to perceptually segregate from the masker. In this study, the number of masker bursts and the interburst interval (IBI) were varied. The goals were to determine how the release from masking relative to the SB condition depends on the number of bursts and to examine whether increasing the IBI would cause each burst to be processed independently. If the latter were true, it might disrupt the perception of signal stream coherence, thereby diminishing the MBD advantage. However, multiple independent looks could also lead to an improvement in performance. For those subjects showing large amounts, of informational masking in the SB condition, substantial reduction in masked thresholds occurred as the number of masker bursts increased, while masking increased as IBI lengthened. The results were not consistent with a simple version of a multiple-look model in which the information from each burst was combined optimally, but instead appear to be attributable to mechanisms involved in the perceptual organization of sounds. (C) 2003 Acoustical Society of America.