Charles Marville and the Landscapes of the Carrieres d'Amerique

Charles Marville's photographs of Paris preserve the look of streets slated for demolition under Georges-Eugene Haussmann. This article examines his photographs of the Carrieres d'Amerique, or America Quarries - gypsum quarries in the outlying Parisian neighbourhood of Belleville. At a time when the rezoning of districts that were formerly extra muros was still controversial, Belleville was seen as a crime-ridden area. Marville's photographs become documents that refute contemporary narratives of criminality. Borrowing Walter Benjamin's view that the city 'opens up' to the flaneur 'as a landscape', the article analyses Marville's landscapes of the Carrieres d'Amerique as images that juxtapose the city, the work site, and the no-man's land or terrains vagues at Paris's outer limits.