PARADIGMS OF CINEMA COMMUNICATION - CONSTELLATIONS IN THE FIELD OF CINEMA ART

Determining the structuring models of communication in the plane of cinema an - the paradigms of communication in the field of art that mediate not only the interactions in the 'author-film-audience' relation but also function as implicit premises, both in the creation of a film and the establishment of its expressional, emotional and meaning consistency, and in its being perceived, experienced and understood by each separate viewer, as well as by the audience as a whole - would contribute to the restored legitimacy of cinema as an art in the current informational and cultural contexts.