PARADIGMS OF CINEMA COMMUNICATION - CONSTELLATIONS IN THE FIELD OF CINEMA ART

被引:0
作者
Kitova, Irina [1 ]
机构
[1] South West Univ Neofit Rilski, 66 Ivan Michailov St, Blagoevgrad 2700, Bulgaria
来源
FILOSOFIYA-PHILOSOPHY | 2019年 / 28卷 / 04期
关键词
paradigms; communications; cinema; author; audience;
D O I
暂无
中图分类号
B [哲学、宗教];
学科分类号
01 ; 0101 ;
摘要
Determining the structuring models of communication in the plane of cinema an - the paradigms of communication in the field of art that mediate not only the interactions in the 'author-film-audience' relation but also function as implicit premises, both in the creation of a film and the establishment of its expressional, emotional and meaning consistency, and in its being perceived, experienced and understood by each separate viewer, as well as by the audience as a whole - would contribute to the restored legitimacy of cinema as an art in the current informational and cultural contexts.
引用
收藏
页码:381 / 396
页数:16
相关论文
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